Revisiting . . . Withnail and I (1987)

Withnail and I is not only one of the finest British comedies ever put to celluloid, it is one of the most hilarious and poignant of the entire genre…

It is the story of a scathing drunkard and his unfortunate sidekick; two out of work actors living in a squalid Georgian flat in Camden Town, London. The movie is set at the tail end of ‘the greatest decade in the history of mankind’ and as spaced-out drug dealer and uninvited frequenter Danny so aptly points out, ‘there’s gonna be a lot of refugees’. . .

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Maniac Cop (1988)

When we talk about cinema’s most underrated monsters, Matt Cordell should be somewhere near the top the list.

Widely known as Maniac Cop, Robert Z’Dar’s Cordell is a brute of a killer, a zombified variation of Friday the 13th’s Jason Voorhees, with the same superhuman strength and nondiscriminatory appetite for murder. Directed by exploitation junkie William Lustig (Maniac) and written by none other than the sharply satirical Roger Corman (The Stuff), the movie would prove a financial failure at a time when slasher movies had become largely generic and commercially pass√©, but if this had been released half a decade earlier…

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5 Love Hacks Learned from Watching Movies

Navigating the world of modern romance can be quite confusing and frightening.

There is a plethora of advice out there from dating gurus, Oprah, Tinder, and your mother. What if I told you that everything you needed to know about love was just a streaming service away?¬† Hard to believe, right? If you have several hours to kill and a bottle of your favorite beverage (I highly recommend Moscato or Scotch on the rocks) then watch Psycho, Disclosure, The Evil Dead or It Follows. Hell, Fatal Attraction is like a bible for avoiding Mr. or Mrs. Wrong…

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Revisiting . . . The Dead Zone (1983)

As a movie, The Dead Zone is not without its flaws, but it proves extremely relevant in regards to today’s political climate.

Although not as high profile as many other Stephen King adaptions, it is one of most loyal in terms of how it translates to the screen, and is certainly one of the most underappreciated, in spite of its often clunky pacing and superfluous content. The movie is directed by none other than David Cronenberg, a man who has long since reached a mainstream audience, although even his more high-profile pictures could never really be classed as conventional…

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American Ninja 2: The Confrontation (1987)

The American Ninja franchise is a true product of the VHS era.

Much like the No Retreat No Surrender series, they are movies of low production value which only seem to decrease in quality, but there is something about them that keeps us coming back for more. Production company The Cannon Group would exploit America’s fascination with martial arts to devastating financial effect. This had very little to do with the quality of action on show or the actors involved, owing much to the nationalistic stance of the latter stages of the Cold War as an inherently fascist cinema exploded in a barrage of invincible protagonists and patriotic exposition…

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Savage Streets (1984)

By the early 1980’s Linda Blair’s career had kind of hit the skids.

A former child model who would shoot to fame in William Friedkin’s horror classic The Exorcist, her sweet-faced innocence had long since faded, replaced instead by wanton drug abuse, high profile arrests, and a brief fling with womanising, crack tooting funkster, Rick James. She even posed for a raunchy spread in pornographic magazine Oui. Her days of wooing the mainstream with her cherub charms were well and truly behind her . . .

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