Revisiting…Pulp Fiction (1994)

Tarantino’s colossal opus is a near perfect movie. Although it unquestionably defined an era, it refuses to be tied to one, and in a bizarre journey via a 50s themed cafe known as Jack Rabbit Slims, we follow an Afro-wielding gangster and his 70s icon cohort, while an eclectic range of popular music traverses four decades, resulting in an enduring abstraction of time and place…

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Revisiting . . . Juice (1992)

Back in 1991, director John Singleton single-handedly changed the face of cinema.

Not only did his sociopolitical drama Boyz n the Hood earn the 23-year-old the accolade of becoming both the first African-American and youngest person to receive a Best Director nomination at the Academy Awards, it more importantly changed the way in which the impoverished black youth of America were perceived amid widespread police brutality and a media frenzy demonising gang culture…

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Revisiting . . . Fargo (1996)

In many ways Fargo is the star of Fargo.

So detached from the savagery of modern life are its people that their salt-of-the-earth simplicity comes across as quite bizarre, and when contrasted with the stark and often brutal violence of the movie’s outsiders, we are plunged into an odyssey that is at once perverse and comical, exactly the kind of prodigious juxtapose that has made the Coen brothers so uniquely prominent as both writers and directors…

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Soldier Boyz (1995)

When it comes to plot lines, you would be hard pressed to find one as improbable as that featured in Soldier Boyz.

Not only are the film’s events about as detached from reality as The Naked Gun, its characters are just as trite and predictable, so hammy that you sometimes forget this is an action movie and not a straight up spoof. Even more amazing is the fact that Louis Morneau’s slice of puerile patriotism harbours delusions of social commentary, masquerading as a cultural melting pot as America’s gangland minorities team up to take on an even more foreign, and therefore evil race of people…

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