Hologram Man (1995)

If Hologram Man had been made in the early 1980’s, it may have been deemed futuristic.

Unfortunately it was made in 1995, a whole year after the original PlayStation was released, and the special effects on show are closer to Sega’s short-lived Mega-CD. This movie is about as high-tech as an episode of Quantum Leap. You know the kind of production, those where four-inch video phones and bogus Virtual Reality constitute the furthest reaches of technological advancement […]

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Return of the Living Dead Part II (1988)

You can’t keep the dead down for good.

In 1985, writer Dan O’Bannon put an interesting spin on the zombie genre with The Return of the Living Dead. Mixing humour with horror and adding a dash of punk to the film’s style and soundtrack, Return satirized the films of George A. Romero by insinuating that Night of the Living Dead was based on true events. It also proved to be a capable zombie picture in its own right […]

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Shocker (1989)

By 1989, the horror genre had become rather tepid.

Thanks to the chastening whip of the MPAA and BBFC during the mid-1980s, the genre would descend into cartoonery as a way to reach a broader audience. Sam Raimi’s Evil Dead II: Dead by Dawn would lead the way in that respect, and some movies were able to pass explicit gore based on absurdity, while others, such as Clive Barker’s Hellraiser, added depth as a way to counterbalance the meaningless nihilism that would outrage a generation […]

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Happy Birthday to Me (1981)

Happy Birthday to Me is a unique entry in an infamously uninventive sub-genre.

Then Canada’s highest grossing movie to date, many of its positives are purposeful, others not so much, but even its patchy moments are unique in their own right, making this one of the superior efforts in the slasher cannon. Made before the genre slipped into the kind of post-certificate self-parody that has no use for genuine acting, the movie stars Little House in the Prairie’s Melissa Sue Anderson, her angelic image proving quite the juxtapose, while legendary […]

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Christmas Evil (1980)

Someone had to do it.

After the unmitigated seasonal success of John Carpenter’s Halloween, it was inevitable that Kris Kringle would get the the psycho treatment. After all, what better gimmick to guarantees success? Transgressive cult director John Waters went on record as saying that Lewis Jackson’s Christmas Evil is ‘the greatest Christmas movie ever made’. So how highly does this pre-certificate slasher rank in relative terms? […]

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Maniac Cop 2 (1990)

Jason Lives! may had revitalised the slasher genre with its censor-defying brand of meta humour, but William Lustig’s Maniac Cop 2 elevated it to a whole new level.

Robert Z’ Dar’s Matt Cordell is perhaps the genre’s most underappreciated seek-and-destroy killer, an immovable and irrepressible brute, who in 1988’s Maniac Cop, returned to enact vengeance on those city officials who had wronged him […]

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Fright Night Part 2 (1988)

When it comes to 80s vampire flicks, The Lost Boys may have a bigger cult following, but for many Fright Night is the superior movie.

Rather than embrace ’80s culture like Joel Schumacher’s stylish, bratpack extravaganza, Tom Holland’s toothy antithesis paid homage to the traditional aspects of the sub-genre, giving us a Christopher Lee-like protagonist who […]

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