The Exterminator (1980)

The Exterminator is the very definition of Exploitation Cinema.

Landing somewhere between Rambo and Death Wish, it possesses the justifications of neither, adopting the latter’s quasi-fascist vigilante theme and basking in the thrill of the torture. As far as writer/director¬†James Glickenhaus is concerned, poverty breeds paper-thin monsters who would serve well as target practice in an arcade shooter, and becoming a mindless serial killer is the only way to save humanity from stereotype-led damnation […]

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The Glimmer Man (1996)

Seagal has starred in so many second-rate movies during the past two decades you sometimes forget he was once a rather formidable action star.

Back in his early to mid-90’s prime, he starred in some pretty decent efforts, the kind with enough of a budget to attract some top-level acting talent. Take The Glimmer Man for example. Keenan Ivory Wayans may not be first choice when it comes to a humorous, street-talking sidekick, but he’s too good for the kind of bargain-basement efforts Seagal now stars in. Similarly, Manhunter’s Brian Cox and The Shawshank Redemption’s Bob Gunton are both very fine actors whose mere presence can elevate any old nonsense you care to throw at them […]

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On Deadly Ground (1994)

There is a story about Steven Seagal which may or may not shock you.

One day, an executive walked into Seagal’s trailer and found the star weeping. ‘Oh, I’m reading this script,’ Seagal explained, his head shaking in disbelief. ‘It’s the most incredible script I’ve ever read.’

‘That’s fantastic,’ the executive said, ‘Who wrote it?’

‘I did,’ the star replied […]

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A Nightmare on Elm Street 2: Freddy’s Revenge (1985)

Wes Craven never wanted a sequel for what would become his most successful franchise.

In his mind Fred Krueger was a one-off nightmare, a character whose end would be swift and memorable. Others could not afford to be so romantic. Before A Nightmare on Elm Street New Line Cinema was a small production company which could not match its expenses, and producer Robert Shaye – who had taken a chance on a screenplay which had been passed around with glib disinterest […]

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