Money Train (1995)

Back in 1992, Ron Shelton’s low-key comedy-drama White Men Can’t Jump gave us more than just basketball.

The story of two racially opposed hustlers who would form an unlikely bond both on and off the courts, the movie proved a surprise hit thanks to a heartwarming screenplay and the magical onscreen chemistry of its lead players. The film was even a favourite of legendary director Stanley Kubrick, who was probably in need of a little cheer from time to time […]

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Blind Fury (1989)

Rutger Hauer is a very unique talent.

Not only did he dazzle with his famous ad-libbed monologue as the queerly sympathetic Roy Batty in Ridley Scott’s Blade Runner, he scared the living crap out of us as the psychotic John Ryder in The Hitcher. A few years later he starred in Blind Fury, the kind of tongue-in-cheek action extravaganza most associated with the likes of Arnold Schwarzenegger, and he did a mighty fine job of it too, slipping into the role with the kind of consummate ease […]

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Shocker (1989)

By 1989 horror movies had become rather tepid.

Thanks to the chastening whip of the MPAA and BBFC during the mid-1980s, the genre would descend into cartoonery as a way to reach a broader audience. Sam Raimi’s Evil Dead II: Dead by Dawn would lead the way in that respect, and some movies were able to pass explicit gore based on absurdity, while others, such as Clive Barker’s Hellraiser, added depth as a way to counterbalance the meaningless nihilism that would outrage a generation […]

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Robocop 3 (1993)

Back in 1987, actor Peter Weller worked miracles to help create one of science fiction’s best-loved characters.

This may seem like something of an overstatement considering he spent the majority of Robocop hidden behind bulky armour, but believe me, once you see another actor attempting to pull off the role of OCP’s most noble creation, you tend acquire an increased appreciation for Weller’s most definitive mainstream performance […]

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Fright Night Part 2 (1988)

When it comes to 80s vampire flicks, The Lost Boys may have a bigger cult following, but for many Fright Night is the superior movie.

Rather than embrace ’80s culture like Joel Schumacher’s stylish, bratpack extravaganza, Tom Holland’s toothy antithesis paid homage to the traditional aspects of the sub-genre, giving us a Christopher Lee-like protagonist who […]

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