The People Under the Stairs (1991)

Wes Craven would front some screwball productions during his time as a mainstream horror director.

Perhaps the most famous of these was sci-fi/horror mash-up Deadly Friend, the story of a pallid robotics whizz-kid who uses a microchip to Frankenstein his late girlfriend with typically dire consequences. Craven would receive widespread criticism for his efforts, particularly for a series of nightmare sequences that were distinctly at odds with […]

Read Article →

Deadly Friend: Krueger and the Near-Demise of Wes Craven

Wes Craven was never one to rest on his laurels.

A creative force who twice redefined the slasher genre, he would make his name as a horror movie director thanks to a series of low-budget films that would win him a generation of loyal fans. After making waves with grungy efforts The Last House on the Left and The Hills Have Eyes, he would finally burst onto the mainstream with 1984’s A Nightmare On Elm Street, his most famous character Fred Krueger spawning the kind of franchise that turned faltering production company New Line Cinema into a surging goldmine […]

Read Article →

Darkest Before Dawn: The Best Horror Trailers of the 80’s

Question: What do you miss most about those halcyon home video days?

Cover art is something that stands out – it made that oh so joyous experience of choosing your rental all the more joyous. Choice is the second thing that springs to mind. Sometimes you would arrive home on a Saturday evening and be thoroughly disappointed with a movie that promised so much and delivered so little. But that was part of the fun, particularly when you unearthed the kind of gem that you couldn’t wait to rent again […]

Read Article →

Scream and Scream Again: A Brief History of Video Nasties.

The rape of our children’s minds.

I thought that might get your attention, and although that headline may sound like unrestrained hyperbole from a writer of little restraint, it is actually a snippet from a carefully constructed media campaign designed to criminalise independent filmmakers. I’m talking, of course, about the ‘Video Nasty’ scandal of the 1980’s, a political manoeuvre that would scare working class voters into the Draconian arms of Conservative Thatcherism […]

Read Article →