The Best of Horror Movie Box Art 3

You’re a child of the 80s and your parents take you for a trip to the veritable cave of wonders that is your local VHS Store. They’re probably in a hurry to get somewhere, and as a result set about influencing your decision, suggesting family-friendly titles such as The Karate Kid, E.T. or The Goonies.

Those movies are all well and good, in fact they’re all brilliant […]

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Hologram Man (1995)

If Hologram Man had been made in the early 1980’s, it may have been deemed futuristic.

Unfortunately it was made in 1995, a whole year after the original PlayStation was released, and the special effects on show are closer to Sega’s short-lived Mega-CD. This movie is about as high-tech as an episode of Quantum Leap. You know the kind of production, those where four-inch video phones and bogus Virtual Reality constitute the furthest reaches of technological advancement […]

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This Month in . . . 1983 (February)

The month of February would get off with a bang for horror fans. Released on the same day, The Entity would go head-to head with David Cronenberg’s body horror classic Videodrome. Directed by Palm D’or nominated director Sidney J. Furie (The Ipcress File), The Entity was based on the real life Doris Bither case and tells the story of a malevolent poltergeist who purportedly raped and tormented her for years […]

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Revisiting . . . The Shining (1980)

There is a sense of inevitability about The Shining that grabs you by the throat and never lets go.

The movie is a grandiose exercise in terror which favours stark imagery and subliminal horror over traditional storytelling. It is an experience that possesses you from the very beginning, and from the seemingly innocuous overhead shots of Glacier National Park, Montana, you are saturated with a sense of inescapable doom […]

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Shocker (1989)

By 1989, the horror genre had become rather tepid.

Thanks to the chastening whip of the MPAA and BBFC during the mid-1980s, the genre would descend into cartoonery as a way to reach a broader audience. Sam Raimi’s Evil Dead II: Dead by Dawn would lead the way in that respect, and some movies were able to pass explicit gore based on absurdity, while others, such as Clive Barker’s Hellraiser, added depth as a way to counterbalance the meaningless nihilism that would outrage a generation […]

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Revisiting . . . Back to the Future (1985)

Back to the Future is about change, about fate and destiny and the possibility of a second chance.

Those sentiments may smack of mawkish wish-fulfilment, and Robert Zemeckis’ cultural phenomenon is nothing if not idealistic, but there are ways to promote such romanticisms without descending into the sickly slush of blueprint Hollywood, and in December of 1985 Back to the Future showed us just how creative you can be […]

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Happy Birthday to Me (1981)

Happy Birthday to Me is a unique entry in an infamously uninventive sub-genre.

Then Canada’s highest grossing movie to date, many of its positives are purposeful, others not so much, but even its patchy moments are unique in their own right, making this one of the superior efforts in the slasher cannon. Made before the genre slipped into the kind of post-certificate self-parody that has no use for genuine acting, the movie stars Little House in the Prairie’s Melissa Sue Anderson, her angelic image proving quite the juxtapose, while legendary […]

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