Alone in the Dark (1982)

Every discussion of Alone in the Dark begins with the exact same disclaimer: no, not Uwe Boll’s 2005 catastrophic video game adaptation of the same name.

The Alone in the Dark we’re concerned with is director Jack Sholder’s 1982 slasher classic, a film that is decidedly more underseen than underappreciated. Besides a modest U.S. DVD release in 2005 (of which out of print used copies go for more than $70 on eBay), the film has languished on VHS, thereby remaining virtually inaccessible to the modern day horror fan. Which is unfortunate, as I would argue (and will) that Alone in the Dark is perhaps the best horror film no one has ever seen […]

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Darkest Before Dawn: The Best Horror Trailers of the 80’s

Question: What do you miss most about those halcyon home video days?

Cover art is something that stands out – it made that oh so joyous experience of choosing your rental all the more joyous. Choice is the second thing that springs to mind. Sometimes you would arrive home on a Saturday evening and be thoroughly disappointed with a movie that promised so much and delivered so little. But that was part of the fun, particularly when you unearthed the kind of gem that you couldn’t wait to rent again […]

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Kung-Fu Cannibals aka Raw Force (1982)

Kung-Fu Cannibals is as barmy as its title suggests.

In a nutshell, it is a movie about a group of maniacal monks who kidnap and barbecue big-breasted women, believing that female flesh gives them the power to raise the dead. If this movie sounds somewhat misogynistic, that’s because it is. If we’re not in a whorehouse we’re in a strip joint, and with characters credited with such unabashed names as Drunken Sexpot and Girl in Toilet, feminists need not apply […]

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Leave Those Kids Alone: When Cannon Met Death Wish

By 1982, British director Michael Winner was in desperate need of a hit.

Eight years prior he had immortalised western stalwart Charles Bronson by taking his John Wayne act to the streets of New York City. Although the original Death Wish tackled the growing problem of street crime in America, it was denounced by critics due to a vigilante theme that relished in the very violence it was supposed to be condemning […]

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