This Month In . . . 1988 (March)

Storming the box office charts for March was Mike Nichols’ comedy-drama Biloxi Blues. Adapted from a semi-autobiographical play by Neil Simon, the movie would star Ferris Bueller’s Matthew Broderick as a young army recruit attending boot camp during the Second World War.

Broderick would create the role of Eugene on Broadway, a character with three goals in life: to become a writer, lose his virginity and fall in love. It would also explore bigotry and racial segregation […]

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Return of the Living Dead Part II (1988)

You can’t keep the dead down for good.

In 1985, writer Dan O’Bannon put an interesting spin on the zombie genre with The Return of the Living Dead. Mixing humour with horror and adding a dash of punk to the film’s style and soundtrack, Return satirized the films of George A. Romero by insinuating that Night of the Living Dead was based on true events. It also proved to be a capable zombie picture in its own right […]

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Revisiting . . . A Fish Called Wanda (1988)

A Fish Called Wanda may be a largely British production, but it is an American who ultimately steals the show.

This is quite ironic when you consider the competitive nature of the movie’s characters, as a gang of zany caricatures go to great lengths to snatch some comic book swag from under each other’s noses. This is British pomposity vs American showmanship, the inescapably prudish vs the bold and the brash […]

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Fright Night Part 2 (1988)

When it comes to 80s vampire flicks, The Lost Boys may have a bigger cult following, but for many Fright Night is the superior movie.

Rather than embrace ’80s culture like Joel Schumacher’s stylish, bratpack extravaganza, Tom Holland’s toothy antithesis paid homage to the traditional aspects of the sub-genre, giving us a Christopher Lee-like protagonist who […]

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Uninvited (1988)

In the history of cinema, Creature Features are as old as time.

Looking back, we’ve had some pretty intimidating screen monsters throughout the years, icons such as Godzilla and King Kong, the kind of monumental beasts who savaged entire cities, and who even showed themselves capable of emotional depth, resulting in some of film’s most interesting and influential instances of catharsis […]

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Maniac Cop (1988)

When we talk about cinema’s most underrated monsters, Matt Cordell should be somewhere near the top the list.

Widely known as Maniac Cop, Robert Z’Dar’s Cordell is a brute of a killer, a zombified variation of Friday the 13th’s Jason Voorhees, with the same superhuman strength and nondiscriminatory appetite for murder. Directed by exploitation junkie William Lustig (Maniac) and written by none other than the sharply satirical Roger Corman […]

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