Hollywood Chainsaw Hookers (1988)

I have to be honest; this is not what I was expecting at all.

On the surface it is everything you would imagine it to be. It is a movie about chainsaw wielding nutjobs masquerading as barfly hookers. It is grainy filters and sordid, neon-lit streets, a visual scattergun that would leave the likes of Tarantino creaming themselves as buckets of blood and viscera splash against sopping pairs of heaving bosoms. It is B-movie acting, porn star extras, and enough sleaze to leave you slick with delight…

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Brain Damage (1988)

Sometimes a movie comes along that really takes you by surprise.

Brain Damage is much more than just a trashy B-movie horror. It is that – but beneath the one-dimensional characters and schlocky special effects there is a film with a social conscience, a dreamy, often brutal commentary on the pitfalls of drug addiction which far exceeds its budget, displaying visual ingenuity one can’t help but admire…

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VHS Revival’s Quotes which Define Characters

Whenever we speak fondly of a particular character, what is it that immediately comes to mind?

Sometimes it might be an action or an expression or some other physical detail that sets them apart, but more often than not it will be the words they use and how they use them. Dialogue is everything to a character, because for most of us words are the primary source of communication, and through them we are able to further understand a subject’s personality and motives; we are able to communicate with them on a whole other level…

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A Nightmare on Elm Street 4: The Dream Master (1988)

In 1984 horror maestro Wes Craven unleashed one of the most terrifying characters to ever grace the horror lexicon.

Fred Krueger had all the right ingredients to keep you awake at night. A grotesquely deformed, razor-fingered child-killer, he was not the kind of merciful barbarian who would dispose of you with one brutal blow. This monster was gloriously sadistic, the big kid who had taken pulling legs off spiders to a whole new level.

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Revisiting…They Live (1988)

John Carpenter enjoyed considerable success throughout the late 70s and 80s, working within low budgets and tight schedules to produce unlikely box office hits that contradict their meagre outlay.

Though he is primarily seen as a director of horror movies, his science fiction releases represent some of his strongest work, harking back to the good ol’ days of the 50s with strong political leanings…

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Halloween 4: The Return of Michael Myers (1988)

In 1982 the scourge of Haddonfield was put on the shelf in favour of Halloween III: Season of the Witch. The plan was to release a new film every year under the guise of the original franchise. Each movie would have a new story and a new cast of characters, allowing arguably the most iconic killer in horror history to slip into obscurity and retire with the kind of dignity Carpenter’s baby deserved…

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