The Exterminator (1980)

The Exterminator is the very definition of Exploitation Cinema.

Landing somewhere between Rambo and Death Wish, it possesses the justifications of neither, adopting the latter’s quasi-fascist vigilante theme and basking in the thrill of the torture. As far as writer/director¬†James Glickenhaus is concerned, poverty breeds paper-thin monsters who would serve well as target practice in an arcade shooter, and becoming a mindless serial killer is the only way to save humanity from stereotype-led damnation […]

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Leave Those Kids Alone: When Cannon Met Death Wish

By 1982, British director Michael Winner was in desperate need of a hit.

Eight years prior he had immortalised western stalwart Charles Bronson by taking his John Wayne act to the streets of New York City.¬†Although the original Death Wish tackled the growing problem of street crime in America, it was denounced by critics due to a vigilante theme that relished in the very violence it was supposed to be condemning […]

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