Slumber Party Massacre II (1987)

Back in 1987, Fred Krueger took his first steps to becoming the horror genre’s first bona fide rock star.

With Wes Craven back on board to beef up the characterisation, Chuck Russel’s The Dream Warriors salvaged a waning franchise following the debacle of Freddy’s Revenge, catapulting Krueger to commercial superstardom. Still the scourge of nightmares, the character would shed his darker dispositions to become the ethereal circus master of a marketing campaign that exceeded all expectation, resulting in the kind of unlikely merchandising never before achieved […]

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Money Train (1995)

Back in 1992, Ron Shelton’s low-key comedy-drama White Men Can’t Jump gave us more than just basketball.

The story of two racially opposed hustlers who would form an unlikely bond both on and off the courts, the movie proved a surprise hit thanks to a heartwarming screenplay and the magical onscreen chemistry of its lead players. The film was even a favourite of legendary director Stanley Kubrick, who was probably in need of a little cheer from time to time […]

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Blind Fury (1989)

Rutger Hauer is a very unique talent.

Not only did he dazzle with his famous ad-libbed monologue as the queerly sympathetic Roy Batty in Ridley Scott’s Blade Runner, he scared the living crap out of us as the psychotic John Ryder in The Hitcher. A few years later he starred in Blind Fury, the kind of tongue-in-cheek action extravaganza most associated with the likes of Arnold Schwarzenegger, and he did a mighty fine job of it too, slipping into the role with the kind of consummate ease […]

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Suburban Monsters: The Double Standards of Joe Dante’s The ‘Burbs

They say familiarity breeds contempt, but in my experience the opposite is true.

In reality people tend to fear the unfamiliar, and the more distant a person is the more they have to hide, at least in the minds of those who have been ignored. This is never truer than when a somewhat reclusive neighbour moves into an established community. Before long, suspicions begin to breed and spread, and every little detail becomes a reason for condemnation […]

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Shocker (1989)

By 1989 horror movies had become rather tepid.

Thanks to the chastening whip of the MPAA and BBFC during the mid-1980s, the genre would descend into cartoonery as a way to reach a broader audience. Sam Raimi’s Evil Dead II: Dead by Dawn would lead the way in that respect, and some movies were able to pass explicit gore based on absurdity, while others, such as Clive Barker’s Hellraiser, added depth as a way to counterbalance the meaningless nihilism that would outrage a generation […]

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