The Glimmer Man (1996)

Seagal has starred in so many second-rate movies during the past two decades you sometimes forget he was once a rather formidable action star.

Back in his early to mid-90’s prime, he starred in some pretty decent efforts, the kind with enough of a budget to attract some top-level acting talent. Take The Glimmer Man for example. Keenan Ivory Wayans may not be first choice when it comes to a humorous, street-talking sidekick, but he’s too good for the kind of bargain-basement efforts Seagal now stars in. Similarly, Manhunter’s Brian Cox and The Shawshank Redemption’s Bob Gunton are both very fine actors whose mere presence can elevate any old nonsense you care to throw at them […]

Read Article →

Blind Fury (1989)

Rutger Hauer is a very unique talent.

Not only did he dazzle with his famous ad-libbed monologue as the queerly sympathetic Roy Batty in Ridley Scott’s Blade Runner, he scared the living crap out of us as the psychotic John Ryder in The Hitcher. A few years later he starred in Blind Fury, the kind of tongue-in-cheek action extravaganza most associated with the likes of Arnold Schwarzenegger, and he did a mighty fine job of it too, slipping into the role with the kind of consummate ease […]

Read Article →

Shocker (1989)

By 1989 horror movies had become rather tepid.

Thanks to the chastening whip of the MPAA and BBFC during the mid-1980s, the genre would descend into cartoonery as a way to reach a broader audience. Sam Raimi’s Evil Dead II: Dead by Dawn would lead the way in that respect, and some movies were able to pass explicit gore based on absurdity, while others, such as Clive Barker’s Hellraiser, added depth as a way to counterbalance the meaningless nihilism that would outrage a generation […]

Read Article →

Fright Night Part 2 (1988)

When it comes to 80s vampire flicks, The Lost Boys may have a bigger cult following, but for many Fright Night is the superior movie.

Rather than embrace ’80s culture like Joel Schumacher’s stylish, bratpack extravaganza, Tom Holland’s toothy antithesis paid homage to the traditional aspects of the sub-genre, giving us a Christopher Lee-like protagonist who […]

Read Article →