The Glimmer Man (1996)

Seagal has starred in so many second-rate movies during the past two decades you sometimes forget he was once a rather formidable action star.

Back in his early to mid-90’s prime, he starred in some pretty decent efforts, the kind with enough of a budget to attract some top-level acting talent. Take The Glimmer Man for example. Keenan Ivory Wayans may not be first choice when it comes to a humorous, street-talking sidekick, but he’s too good for the kind of bargain-basement efforts Seagal now stars in. Similarly, Manhunter’s Brian Cox and The Shawshank Redemption’s Bob Gunton are both very fine actors whose mere presence can elevate any old nonsense you care to throw at them […]

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Avenging Force (1986)

Dudikoff and James are back in tandem, proving without a shadow of a doubt that they are the very cream of the Cannon crop.

Forget Seagal, Van Damme and . . . well, not Stallone and Schwarzenegger, but for me Dudikoff and James come in at a close third. Any action movie aficionado worth their salt is aware of the iconic duo’s legacy, and for those who aren’t they are the Mel Gibson and Danny Glover of the B-movie scene, starring in such high-kicking classics as the American Ninja series […]

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Blind Fury (1989)

Rutger Hauer is a very unique talent.

Not only did he dazzle with his famous ad-libbed monologue as the queerly sympathetic Roy Batty in Ridley Scott’s Blade Runner, he scared the living crap out of us as the psychotic John Ryder in The Hitcher. A few years later he starred in Blind Fury, the kind of tongue-in-cheek action extravaganza most associated with the likes of Arnold Schwarzenegger, and he did a mighty fine job of it too, slipping into the role with the kind of consummate ease […]

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Hologram Man (1995)

If Hologram Man had been made in the early 1980’s, it may have been deemed futuristic.

Unfortunately it was made in 1995, a whole year after the original PlayStation was released, and the special effects on show are closer to Sega’s short-lived Mega-CD. This movie is about as high-tech as an episode of Quantum Leap. You know the kind of production, those where four-inch video phones and bogus Virtual Reality constitute the furthest reaches of technological advancement […]

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Shocker (1989)

By 1989 horror movies had become rather tepid.

Thanks to the chastening whip of the MPAA and BBFC during the mid-1980s, the genre would descend into cartoonery as a way to reach a broader audience. Sam Raimi’s Evil Dead II: Dead by Dawn would lead the way in that respect, and some movies were able to pass explicit gore based on absurdity, while others, such as Clive Barker’s Hellraiser, added depth as a way to counterbalance the meaningless nihilism that would outrage a generation […]

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