Revisiting . . . Live and Let Die (1973)

At times, Live and Let Die is almost like an anti-blaxploitation movie.

Of course, it is very much a product of its time, and there is no serious slight intended, but watching it you are reminded of just how far society has come in regards to its representation of ethnic groups, so far that its often prejudiced content now comes across as laughable rather than offensive. Here, the movie’s superfly brothers are slick, drug-dealing criminals who occasionally dabble in voodoo, but classic Bond was always a franchise steeped in sweeping stereotypes, regardless of race of creed . . .

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Revisiting . . . Indiana Jones and the Last Crusade (1989)

Despite a mixed critical reception for the culturally offensive ‘Temple of Doom’, audiences’ lapped up the experience of a third Indiana Jones movie.

After a brief hiatus to focus on more serious fare in the form of The Colour Purple, Empire of the Sun and Always, a third instalment was always going to be an irresistible draw for Spielberg, Lucas, Ford, and an audience hungry for more…

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Revisiting . . . A View to a Kill (1985)

In my opinion, A View to a Kill gets something of a bad rap.

Sure, there are plenty of things to decry in regards to Roger Moore’s seventh and final outing as the irrepressible James Bond, but there is also a lot going for the movie, and in my opinion a large percentage of those critics who panned it beyond salvation are invariably children of the 1950s – those who can’t look past Sean Connery as the one and only 007…

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