VHS Revival ranks the most divisive horror franchise of the 20th century
Love him or you loathe him, he can’t be denied. The indomitable Jason Voorhees: a cynical, Halloween cash-in who Paramount took a punt on time and time again, and they wouldn’t regret it. For more than a decade the scourge of Camp Crystal Lake was one of horror‘s most profitable creations, and though he would later return for a Fred Krueger crossover and a rather serious reboot, he will always be remembered for his original run, a 21-year period in which he racked up an incredible 129 kills.
With so many gimmicks and concepts and variations over the years, debate between fans has always proved divisive. Who is the best Jason? Who is the best final girl? Which is your favourite kill? And, perhaps most pressingly, which period do you belong to in a series that went from straight-up-slasher to tongue-in-cheek silliness? Those are questions for another day, but they are also vital components for choosing your favourite instalment. At the risk of becoming unpopular, VHS Revival ranks one of the most iconic franchises in modern horror.
10. Jason Goes to Hell: The Final Friday (1993)
This was a tough decision, but not really; tough because first-time writer/director Adam Marcus tried something new, and easy because the whole project proved an abject failure. Marcus was only 23 when given the unenviable task of reinvigorating a long-stale franchise, as New Line Cinema, fresh off purchasing the series rights from Paramount, looked to set up the long-awaited Freddy vs. Jason crossover. Instead, the rookie filmmaker’s dissonant splurge put the series on the backburner for a decade.
So what makes Jason Goes to Hell the very worst in the series? First of all, Jason hardly appears in the movie — yes, you heard me. Marcus and the wizards at KNB EFX upped the gore with some top-notch practical effects, a treat for long-time fans who had been subjected to the MPAA’s censorship guillotine, but Jason was quickly replaced by ‘Hellbaby’, a manifestation of the character’s soul which possessed victims and moved from body to body, giving us a collection of anonymous killers and a convoluted plot at pains to explain the machete-wielding mad man’s unnecessary mythology.
Marcus was a fan of the series, and he had no choice but to try something new, but for a franchise which had survived on the shoulders of its iconic lead for so long, Jason’s absence proved the death knell. Kudos for audacity, but a movie without Jason isn’t a Friday the 13th movie in the traditional sense, unless Pamela Voorhees one day manages to reattach her head, which wouldn’t come as too much of a surprise given her son’s regenerative capacities.
After Jason’s spirit enters the body of a coroner possessed into eating his still-beating heart, his none-the-wiser assistant makes the fatal mistake of ridiculing the monster’s corpse. The man is then pinned to a grate with a particularly sharp implement, pieces of his face sluicing through like mincemeat. Delicious!
9. Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Some fans actually dig this Big Apple bound instalment and I can almost see why. Jason had long-since become the series focal point, an antihero bloodthirsty fans would root for above his increasingly peripheral victims. Jason Takes Manhattan would take this formula to a whole new level, director Rob Hedden designing a vehicle for the mindless MTV generation by transforming Jason into a veritable pop star and fetishizing his every move. This would lead to some iconic shots of Pamela’s baby boy that would not have been possible in previous instalments, some of them touched by a delicious sense of irony.
But focusing so heavily on Jason comes with its own set of problems, the main one being a lack of suspense. Yes, the franchise had lacked any real suspense for years, and yes we primarily pay to see Jason’s various acts of barbarism, but in the most heavily censored entry in the series we see next to nothing in the creative kills department, Jason’s almost ceaseless presence killing the horror dead. In an absolutely baffling development, Jason is melted with toxic waste during the film’s finale, somehow becoming a perfectly formed child in the process. Freud would have had a field day.
The movie would also struggle with budgetary issues that saw Paramount renege on their promise of having Jason wreak havoc on some of New York City’s most famous monuments. This would include a boxing match in Madison Square Garden and Jason leaping off the Statue of Liberty, but in the end we spend the majority of our time on a boat, most of the city scenes actually filmed in Vancouver, Canada. Perhaps Jason will one day return for Jason Takes Paramount Headquarters.
Now that I’d pay to see!
Having given Jason a run for his money (well, almost) with a rooftop bout of fisticuffs, young pugilist Julius gives up from sheer exhaustion, daring Jason to take his best shot. Dumb move, kid. With one ferocious punch, Voorhees takes the youngster’s head clean off. In one of the film’s cutest moments, it then falls into a nearby dumpster, the lid closing itself for extra emphasis.
8. Friday the 13th Part VII: The New Blood (1988)
What exactly does The New Blood refer to? A new batch of victims? A fresh river of blood heading for Camp Crystal Lake? The truth is nobody knows, not even the movie’s screenwriters as they themselves have admitted. At the time of the movie’s release, Paramount were already toying with the idea of a Freddy vs Jason crossover, but with Fred Krueger reaching a whole new commercial stratosphere, the two parties couldn’t reach an agreement, so the always underhanded Paramount aped another horror icon instead.
The New Blood, or Jason vs Carrie, pits our long-suffering monster against a troubled young teen with the power of telekinesis, a gift so potent she can use it to light a box of matches on fire, but only when she’s mad enough. The New Blood was the first instalment to make Friday’s paper-thin supporting cast truly peripheral. It also suffered from the most anaemic cuts to date (a shame since the existing raw footage hints at something rather special), turning Jason into a largely impotent presence for the movie’s first two acts.
It did, however, feature one of the most unique final girls in the entire series, at least in a superficial sense, as well as benefiting from perhaps the best finale in the entire series as an unmasked Jason, looking better than ever, is wrestled by trees, electrocuted, drowned in a puddle, struck with all manner of heavy furniture, headbutted by a decapitated victim, crushed by a porch, smashed through a staircase, hung from a ceiling, burnt alive, blown up, and shot several times with a pistol. Is this enough to finally put him away for good?
You’d think so, wouldn’t you?
Due to the MPAA’s relentless censorship crusade, none of the final cut deserves the title, although the sight of a sleeping bag bound victim being smashed against a tree remains a sight to behold, even if the existing raw footage shows that victim being swung repeatedly with far bloodier consequences. Personally, I prefer the edited version for sheer impact.
7. Jason X (2001)
I’m sure some purists will slay me for this one, but for me Jason X is a charming and unique entry in the Friday the 13th canon. Sure, the set design looks straight out of a game of laser tag, its 2455 depiction of outer space belonging to a b-grade Sci-fi Channel drama from the late 90s, but this was a breath of fresh air following the creatively barren later sequels, which would mostly regurgitate the same old neutered formula for the sake of Paramount’s shamelessly bottomless coffers.
After a failed first attempt by New Line to freshen the franchise with the disastrous Final Friday, Sean Cunningham’s undying creation was finally jettisoned into space, where a cryogenic chamber brought an end to his indestructible rampage—or so our ever-naïve cast initially presume. Here, Jason is back to his brutal best, slaughtering a cast of generic victims via a screenplay that delights in sending up horror’s most irresistible force.
But this is no simple re-tread; oh, no! Once Jason lays waste to a gaggle of primed fodder, Jason X audaciously treads Alien territory, giving us a badass android who gives Jason a run for his money and a corporate shill with an expositional oversight that will lead our quasi-antagonist on a record 9th killing spree. We also have a delicious virtual reality program that recreates the trite backdrop of the original Camp Crystal series in an attempt to distract our celestial beast. Oh, and there’s the legendary Kane Hodder as the genetically modified uber-Jason. Tremendous stuff!
Failing miserably to convince us of her scientific pedigree, a vacuous doctor with designs on regenerating the long-dormant Jason wakes the proverbial dragon and has her head cryogenically frozen and smashed to smithereens.
6. Friday the 13th Part V: A New Beginning (1985)
I actually like A New Beginning — in a goofy sort of way, it’s pretty damn charming — but after the ‘video nasty‘ hysteria of the early 80s, horror movies would be subjected to the kind of pedantic cuts that required filmmakers to use intelligence and technical prowess to create something genuinely scary. The Friday the 13th series had a severe lack of both, its bloodthirsty formula meaning hardly anything sluiced through the cutting room floor post The Final Chapter, a title that Paramount took a whole year to renege on. Crafty beggars!
So what’s good about the infamous fifth entry? Well, it’s just a little bit silly. Irresistibly so. First of all we have a returning Tommy Jarvis: a preteen in 1984 but somehow a fully-grown adult just one year later (see Friday’s twisted timeline for more information). We also have the Pinewood Home for troubled kids, an institute so lax it allows its musclebound residents to run around wielding axes. Oh, and there’s the only sheriff in the entire series who puts two and two together and figures out that Jason Voorhees is probably behind this latest spate of murders, only this time he isn’t, and the movie isn’t even set at Camp Crystal Lake.
In the end, that’s the movie’s biggest crux, the fact that Jason doesn’t make a single appearance (unless you count Tommy’s flashback). In the studio’s most audacious and commercially underhanded move to date we instead have an impostor killer with a dubious motive. Did all of those kids really deserve to be hacked to pieces for the sake of one person’s actions? Of course not, especially when you consider the fact that victim Joey is one of the most deserving in the series, though not as deserving as the insufferable Junior, who also gets his comeuppance with a lovely head-chopping. As peripheral to the plot as our killer is, it won’t be too hard to spot the culprit. Just look for two extraordinary vengeful-eyed close-ups in a matter of seconds to achieve the proverbial unmasking.
Scooby Doo would have been proud.
One unlucky teen gets pinned to a tree with a leather strap which is then tightened until his eyes and head are crushed. At least I assume his head is crushed. Thanks to those God-fearing bastards at the Motion Picture Association of America, we will sadly never know.
5. Friday the 13th (1980)
I’m risking a ceaseless backlash for positioning the original instalment at a lowly fifth, but despite Friday the 13th‘s commercial savvy making it one of the most famous and successful entries in the slasher sub-genre, it hasn’t aged too well asides from Besty Palmer’s wonderful against-type turn as the matriarchal Mrs Voorhees. For a series that’s led predominantly by Jason, it’s difficult for me to place it near the top of any such list. The original movie of any series can usually be considered the best based on the fact that it was the innovator, but it’s no secret that Friday the 13th was a transparent Halloween cash-in. “Halloween is doing great business, let’s rip it off,” creator Sean Cunningham would say in an infamous phone call to writer Victor Miller. The rest, as they say, us history.
Cunningham did a fantastic job of replicating Halloween‘s success, and it was his genesis, regardless of how derivative, that spawned an entire money-spinning franchise that is still going strong today, as well as triggering a deluge of like-for-like clones and almost singlehandedly forging a sub-genre now known as the slasher. Without Friday the 13th there would be no Jason, and for fans of the franchise that is something that cannot be taken lightly. There are also parallels to be drawn with Alfred Hitchcock’s Psycho, which in itself was a wise decision, as was that to imitate A Bay of Blood‘s cabin location, a move that would ultimately influence subsequent Stateside slashers, transforming it into the sub-genre’s most recognisable setting.
Played with maniacal relish by the wonderful Palmer, Pamela Voorhees is an exceptional antagonist in her own right, a largely uncensored theatrical cut giving fans a glimpse of the murder and mayhem that lay ahead. The movie is also notable for the appearance of a young Kevin Bacon, who is more deserving of the movie’s best kill with every mobile phone ad he deigns to subject us to.
Only kidding, Kevin.
After lighting up a post-sex doob, Kevin Bacon’s Jack is distracted by a strange, crimson-coloured dripping coming from above. Cue Pamela’s man hand and a rusty spear through the throat. We can thank practical effects icon Tom Savini for that beautiful geyser of the red stuff.
4. Friday the 13th Part 2 (1981)
Perhaps the purest slasher to star the one and only Jason Voorhees, though far from the purest instalment, Friday the 13th Part 2 is something of an anomaly in the series. On the surface it may seem like the least anomalous due to its complete lack of gimmickry, but this isn’t Jason as we know and love him, the film giving us a much more vulnerable and altogether human incarnation than we would come to expect. But believe me, that’s not a bad thing.
Without a soon-to-be commonplace gimmick to disguise Friday’s more-of-the-same formula, director Steve Miner concentrates on the basics, relying on the kind of suspense that would become peripheral as Jason made the leap from POV killer to pop culture antihero. The movie also benefits from a relatively rounded cast, as well as arguably the most resourceful final girl of the series in Amy Steel’s Ginny Field.
All of this results in one of the most technically rewarding entries in the series. Aping everything from Carpenter to Hitchcock, Part 2 even has the gall to imitate the infamous skewer death from Mario Bava’s Bay of Blood, and is basically a rehash of the original with Jason at the helm. The only Jason-led instalment to not feature his iconic hockey mask — the film instead opting for a peephole pillowcase reminiscent of The Phantom from The Town That Dreaded Sundown — Friday the 13th Part 2 marked the beginning of Jason’s insatiable killing spree, the importance of which cannot be overlooked. As smartly derivative as its antecedent, but the presence of Jason gives this one the edge.
In a beautifully paced ode to Halloween, Friday the 13th‘s final girl Alice opens the fridge to find a severed head; just enough of a distraction for an inhumanly patient Jason to drive an ice pick through her temple. John Carpenter would have been proud.
3. Friday the 13th Part VI: Jason Lives! (1986)
With the MPAA draining every drop of blood from a series that had thrived on death and destruction, Friday the 13th required a fresh angle if it was to survive the decade, and director Tom McLoughlin hit the severed head out of the park with tongue-in-cheek meta riot Jason Lives! With three instalments under his belt, the irrepressible Mr Voorhees had already proven himself inhumanly resourceful, but Part VI was the first entry to throw the rule book down a bottomless well, giving us an eyebrow-raising incarnation on par with Roger Moore’s James Bond.
As an exercise in suspense, Jason Lives! would not even survive the first round, the gore once again at a minimum, but this movie implies like a cheap innuendo, and an irresistible one at that. Where else can you find Jason painting a smiley face with a poor sap’s crimson napper or a brazen nod to the famous 007 opening titles sequence, a miniature Jason slashing at the screen with a much sharper version of a Walther PPK? Taking its cue from the Universal monsters of yore, the movie features the madman’s most audacious regeneration, a convenient blast of lighting giving him the strength to rise from the grave and rip out a still-beating heart. What an entrance!
Jason Lives! is not everyone’s cup of tea, proving one of the most divisive in the series in terms of tone, for while this instalment breathed new life into the series, it took us down a self-reflexive path from which we would never return. It all depends on whose side you’re on: the overtly self-referential or traditional slasher Jason. Me? I have eclectic tastes when it comes to the Friday series, and as a standalone treat Jason Lives! is one of the most memorable of the franchise, encapsulating what many feel the series ultimately stood for.
Stumbling upon a pair of unlucky motorists, Jason shrugs off the threat of firearms by jabbing a spear into a poor fellow’s testicles, pole vaulting him into the recesses of victim’s past. Now that’s the way to do it!
2. Friday the 13th Part IV: The Final Chapter (1984)
Perhaps the purest example of a Friday the 13th movie and one of the finest slashers ever committed to celluloid, Friday the 13th: The Final Chapter is a flawless exercise in Jason-led destruction, only missing out on the top spot by a sharply plucked nose hair. This was the last ‘serious’ Friday instalment, though it’s not without a sense of irony. Jason is superhuman, but still savvy enough to remain predominantly in the shadows. It’s blatant and subtle, unruly yet tied to convention. Put succinctly, it manages to establish the perfect balance between horror and humour, with enough variation to please the entire spectrum of Voorhees fans.
The movie is also the last to avoid the cutting floor in a way that damaged the reputation of Camp Crystal’s most fearsome killing machine. Thanks to some of practical effects maestro Tom Savini’s finest work, here returning for the first time since the original, The Final Chapter includes some of the most memorable kills in the series, and in terms of importance that cannot be underestimated. It’s also notable for the first appearance of Tommy Jarvis, a practical effects whizz-kid who would become a franchise mainstay under three different actors, as well as featuring cameos from 80s royalty such as Judie Aronson (Weird Science) and Back to the Future‘s Crispin Glover, who would immortalise himself with one of the oddest attempts at dancing ever captured.
For many, The Final Chapter is the last legitimate Friday the 13th movie and the very pinnacle of the franchise. It may have fallen short for me personally, but it’s a claim that’s difficult to refute.
After canoodling with a nurse in an examination room where Jason rests, a cocky doctor has his throat sliced with a hacksaw, allowing Jason to twist his head around 180 degrees. Yikes!
Friday the 13th Part 3 (1982)
Before you sigh and close the lid on your laptop, let me explain to you exactly why Friday the 13th Part 3 made our top spot. This particular instalment will always be remembered for its Reagan era 3-D debacle, also marking the beginning of Paramount’s love affair with the annual gimmick, but it is so much more than laborious sequences of swinging hay bales and in-your-face yo-yo action.
For one thing, Friday the 13th part 3 is a movie of firsts. Obviously, it’s the first and only time Jason was able to come at us through the screen, but it’s also the first to introduce our monster as the movie’s focal point, bringing him out of the POV shadows for more than just the prerequisite finale. The sight of Jason lumbering in search of his next victim after the infamous harpoon kill is significant in triggering his transition to antihero, setting the groundwork for Jason’s cinematic identity as a standalone franchise killer. This is also the instalment in which Jason first acquired his iconic hockey mask, without which there may not have been a Final Chapter. Put succinctly, Part 3 gave Paramount the hook they craved.
The third instalment also gave us some of the best ingredients in the entire series. For one, it features the best kills in the series, hands down (there’s a joke in there somewhere). It also features arguably the best Jason in Richard Brooker (sorry Kane Hodder fans), the most unique score in Harry Manfredini’s post-Disco classic, and a colourful cast of characters who go beyond your standard beauties in bikinis with an absurd biker gang who soon discover the true definition of badass.
Friday the 13th Part 3 is also the most graphic of the series, dodging the MPAA’s more stringent impositions by a matter of months. It may not be as rounded as The Final Chapter, as suspenseful as Part II or as unique as Jason Lives!, but it is brutal and ridiculous in equal measures, and in many ways the most important entry in the franchise.
There are so many to choose from here: the aforementioned harpoon through the eyeball, Rick’s crushed cranium and popped eye socket, but for sheer brutality the title has to go to handstand cretin Andy Beltrami, who is brutally hacked down and stacked neatly on a ceiling beam.
Is there a more satisfying Jason kill? Not in my eyes.
No problem with your list – I’d swap THE FINAL CHAPTER with PART 3 / I’d drop JASON X below V, VII and VIII – The Paramount films to me (even the “bad” ones) are superior in every way to the New Line Cinema entries.
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Thanks for taking the time to read.
For me, New Line’s first attempt was the pits, and until yesterday I would have agreed with you on the Paramount point. I mostly still do, and I almost left Jason X out having not given it a real chance. But I watched it through yesterday and I have to applaud their audacity. Still not classic Jason, and almost not Jason at all in a purist sense, but I have to give it to them and allow it a mid-table position.
The Final Chapter was my favourite for the longest time, and is a more perfectly-rounded instalment, but due to Part III having a few firsts—the introduction of the mask being the most relevant—it has come to usurp The Final Chapter in recent years. Such a great subject to discuss though, and such a wonderfully divisive series.
Good to see Jason X starting to rise on these lists. I always find it curious that many rank it below Manhattan or New Beginning, which have some pretty blatant film-making and storytelling deficiencies. X is, even if you dislike it, a tightly made film (on a budget, but then, they all were).
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What’s not to like about Jason X? It’s fun, creative, and back-to-basics brutal. The VR scene at Camp Crystal Lake is inspired. As for A New Beginning, the deficiencies are plentiful: Tommy’s leap in age, the sheriff finally suspecting Jason even though it isn’t Camp Crystal and he isn’t the killer, but I kind of like it for those reasons. When I first saw it, I felt cheated, but it’s grown on me over time. Thanks for reading.
Love it. The only thing I would do differently is leave off part 9 altogether. It is not a Friday film. The director needs to be taken to the woodshed and horsewhipped. He destroyed the franchise.
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😁 If he were not a 23-year old first time writer-director who was actually a fan of the series i’d agree. He had to try something different, and unfortunately, it failed miserably. If there’s no Jason, it ain’t Friday.
Reblogged this on Multiscreen MoTVision and commented:
Including this link to a Classic Cuts. Just starting it so will take some time to watch the movies again when I get to them
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I respect the order of these films & the explanation of why; good action. Now, I like my F13 films how I like my final girls (with creamer?): Jason Lives ( which I believe is the smartest installment), The Final Chapter (I feel it has a good sense of menace & tension along with brutal kills), & A New Beginning (flawed all over, but I like how it explores that the killer doesn’t have to be Jason, because who is Jason anyway other than an urban legend; what if there was never really a pure Jason to begin with, just a murderer’s row of random supernatural survivalist crazies?). The other films I have in this order: part 1 (like A New Beginning, it’s more of a mystery, and basically a more explicit version of “Halloween), part 2 (Jason begins), part 3 (hockey mask introduced), and part 7 (I ‘m okay with Tina’s power). The remaining films I don’t care for much: other than “Dark City”, I’m not into Sci-Fi films or that type of setting that much, so “Jason X” doesn’t interest me; I really only like The Final Friday for the camping tent kill, and I have no use for Jason taking Manhatten (Perry King & Valerie Bertinelli took Manhattan better), since it’s all hat (or hockey mask) & no cattle.
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Hi Eillio. Nice to hear from you. Thanks for reading.
Similarly, I can’t really argue with your reasons here – all of which are more than valid. JTM and JGTH are not movies I revisit very often for reasons that I’m sure are obvious to you. I do have a soft spot for Jason X because it’s so out there (also, love the ironic ending) but it’s hardly a Friday movie in a traditional sense, or even a horror. Jason Lives! Is the most unique and was my favourite for a good while, as was The Final Chapter, but I’ve settled on Part 3 for the reasons explained. I also love Part 2, which is why Steve Miner’s vision is my favourite. Part 5 is hugely divisive. A lot resent it – as did I upon first watch – for obvious reasons, but it has grown on me hugely. I see it as an R-rated Scooby Doo mystery, and who doesn’t want that? Overall, I love the entire series. Are there any great movies to be found? Of course not. But Paramount’s brand of mindless gimmickry is uniquely infectious, and the series is like nothing else.
Hell yeah! Long live Part 3D, Richard Brooker, and the disco-score! Excellent taste, my friend! And because I’m a nerd, I love that this is the only installment of the original franchise that uses a 2.39:1 aspect ratio (3D).
I neglected to write that based on the fact that I had no idea. 😁 By the way, your 1985 best year for horror comedy comment inspired my latest article. Thanks for that. 👌