For the Love of the Con: Fast Eddie and The Color of Money

For the most part, The Color of Money doesn’t feel like a Scorsese film.

That may sound like negative criticism, but I actually like this movie a great deal. Instead, what I mean is that this seems like an anomalous entry in the director’s rich and varied canon. His thumbprint is visible, but it doesn’t seem to carry his DNA. For one thing, it is a relatively conventional movie when the vast majority of his career has been anything but. These are characters that you invest in, that you remember fondly, but they don’t have the intensity or pzazz of those featured in his other marquee titles […]

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Avenging Force (1986)

Dudikoff and James are back in tandem, proving without a shadow of a doubt that they are the very cream of the Cannon crop.

Forget Seagal, Van Damme and . . . well, not Stallone and Schwarzenegger, but for me Dudikoff and James come in at a close third. Any action movie aficionado worth their salt is aware of the iconic duo’s legacy, and for those who aren’t they are the Mel Gibson and Danny Glover of the B-movie scene, starring in such high-kicking classics as the American Ninja series […]

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This Month in . . . 1983 (February)

The month of February would get off with a bang for horror fans. Released on the same day, The Entity would go head-to head with David Cronenberg’s body horror classic Videodrome. Directed by Palm D’or nominated director Sidney J. Furie (The Ipcress File), The Entity was based on the real life Doris Bither case and tells the story of a malevolent poltergeist who purportedly raped and tormented her for years […]

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Poltergeist II: The Other Side (1986)

Back in 1982, Tobe Hooper directed Poltergeist, a movie that was written and produced by Stephen Spielberg, and in all honesty it may as well have been him behind the camera. Everything about that movie screamed Spielberg, from its familial tone and grandiose set pieces to its high profile marketing strategy and tantilsing teaser poster. The grisly touch of Hooper – a wonderful director in his own right – was nowhere to be found.

Predictably, the movie was an unbridled smash […]

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A Brief History of . . . John Matrix

Where John Matrix came from, the Communists said Rock and Roll was subversive, which not only gives credence to the origin of his English name, but also explains his dislike for all things Boy George – or ‘Gorrrl George’ as our musclebound hero refers to him.

Keeping the cold, hard-edged attitude but dumping the Commie philosophies, Matrix would use his inane charm to escape the iron curtain and rise to the very top of the US Elite forces, honouring his Capitalist […]

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